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In Spite Of ALL THE EXTRA-NESS … Janelle Monae’s New Album Is FLOPPING BALDLY!!!

Lyndon Abioye |
[social_warfare]

Janelle Monae used to be known best for her amazing vocals, and her musical genius. Now she’s known for the woman who takes off her top any time she gets the chance.

As Media Take Out has reported, Janelle has been getting more and more risqué with her image – in a blatant attempt to increase her popularity and album sales.

Here are just a few of her more recent social media posts.

https://twitter.com/JanelleMonae/status/1667715103947649025

Well Janelle is definitely a lot more popular. But her album sales, not so much.

Media Take Out is hearing whispers that her album is a huge flop. It sold just 26,000 units. Look:

https://twitter.com/Glock_Topickz/status/1669022247590166530?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1669022247590166530%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=

Janells is an American singer, rapper and actress. She has received eight Grammy Award nominations, and won a Screen Actors Guild Award and a Children’s and Family Emmy Award. Monáe has also been honored with the ASCAP Vanguard Award, as well as the Rising Star Award (2015) and the Trailblazer of the Year Award (2018) from Billboard Women in Music. She is signed to Atlantic Records, as well as to her own imprint, the Wondaland Arts Society.

Monáe’s musical career began in 2003 upon releasing a demo album titled The Audition. In 2007, Monáe publicly debuted with a conceptual EP titled Metropolis: Suite I (The Chase). It peaked at number two on the US Top Heatseekers chart, and in 2010, through Bad Boy Records, Monáe released a first full-length studio album, The ArchAndroid, a concept album and sequel to her first EP. In 2011, Monáe was featured as a guest vocalist on fun.’s single “We Are Young”, which was certified-Diamond from the Recording Industry Association of America (RIAA), topping the charts of more than ten countries and garnering Monáe a wider audience. Monáe’s second studio album, The Electric Lady (2013), debuted at number five on the Billboard 200, and served as the fourth and fifth installments of the seven-part Metropolis concept series.

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